Tuesday, March 20, 2007

"Sacramentum Caritatis" and Liturgical Beauty

Interview With Father Edward McNamara

ROME, MARCH 19, 2007 (Zenit.org).- The true beauty of the liturgy comes about when the priest and the congregation participate in it actively and piously, says Legionary of Christ Father Edward McNamara.

Father McNamara, a professor of liturgy at the Regina Apostolorum university in Rome, writes the weekly liturgy column for ZENIT.

ZENIT interviewed him about Benedict XVI's postsynodal apostolic exhortation, which gathers the conclusions of the October 2005 Synod of Bishops. Father McNamara served as a "peritus," or expert, in that synod.

Here, he expounds on some of the specific observations and invitations that the Pope made in "Sacramentum Caritatis."

Q: In No. 35 the Pope writes: "Like the rest of Christian Revelation, the liturgy is inherently linked to beauty: it is 'veritatis splendor.'" Is it too much to say that beautiful liturgy is a sine qua non of a vibrant Catholic community?

Father McNamara: As the Holy Father says, beauty is inherent to liturgy, it is intimately bound up with authentic liturgy.

Beauty however does not only mean splendid sacred buildings and sublime music. The primary beauty in liturgy is that of a community united heart and soul in prayerful celebration of Christ's sacrifice. It is the beauty of priest and people engaged in full, active and pious participation in the mystery.

This beauty is achieved, in spite of a possible lack of external splendor, whenever the sacred ministers and each member of the faithful strive to live the liturgy to the full.

Other forms of beauty: music, art, poetry, and a sober solemnity in the ritual derive naturally from this inner beauty because the deeper a community lives and comprehends the beauty of the liturgical mystery the more it strives to express it in wonderful outer forms. It is the natural understanding that only the very best we can offer is truly worthy of the Lord.

Thus there is strong historical evidence that even before the end of the era of persecutions; Christians sought to celebrate the Eucharist with the finest materials available. This explains why the construction boom in imposing basilicas, as soon as the persecutions were over, along with the more solemn ritual forms required by these new buildings, was perceived as a natural development and not a rupture with earlier practice.
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